FORESTONE

To add a new question go to app settings and press "Manage Questions" button.There are a lot of details where the Forestone Saxophones differs from the rest of the market but there are 3 big differences which make our horn unique. 1. We are proud of that our master Japanese master technician builds every horn by himself. Forestone is the first brand where it’s not a random factory person who set ups the horn.Our technician stands with his name for every single horn (engraved on the body) thus customers can be sure that every single horn is set at up at the highest level. 2. Forestone Saxophones are built with a hybrid construction. The way the mechanics are soldered on the body allows the saxophone to vibrate more freely and have much more beautiful colours in its sound. 3. The third big difference is the FVCT process which gives the horn more resonance and makes it more free blowing.(Forestone Vibration Cryogenic Treatment)

Describing a sound of an instrument is not an easy task. So we asked many players what they think the horn sounds like. Many answered it sounds a little bit like a Selmer, others thought more of a Conn and some also said it reminds them of a Yanagisawa. But everybody said it was a unique and beautiful sound. So we think, they are all right and that our saxophones indeed have sound aspects of these three brands but in combination the Forestone sound is unique on the market. It’s a round, flexible sound and rich in colour. ​

During the assembly process our saxophone undergoes a unique method called "cryogenical freezing" also known as FVCT treatment. We smooth out the stresses within the metal of the saxophone. This will give the saxophone a more wide and free sound.

Luke-warm works well.

Dipping the reed in hydrogen peroxide followed by rinsing it in luke-warm water is a simple, effective and safe method. You can also clean the reeds with an alcohol swab.

Any standard reed case or reed holder will do the trick.

Because the material does not warp, you can safely leave your Forestone reed on the mouthpiece. However, we do recommend that you remove it and wipe it clean after each playing session.

Rotation is the best way to maximize the reed’s playing life. Some players rotate three or four reeds, others as many as six or more.

Forestone reeds will work on any brand of mouthpiece and with any metal, fabric or string ligature. Our German-cut clarinet reeds are designed for German mouthpieces.

Your satisfaction with Forestone is our ultimate aim. Any reed that arrives by mail damaged or unplayable will be replaced free of charge, no questions asked.

Yes. Forestone reeds are the ideal choice for professional orchestral clarinet players, chamber music players, folk musicians, commercial freelancers, and doublers. They can also be played with confidence by university and high school students, teachers, young professionals, soloists, military musicians, and amateurs – in short, by anyone who plays or studies the clarinet and saxophone and seeks a reliable synthetic alternative to cane reeds.

Our name is an amalgamation of the two English words: forest and tone. The correct way to say it is "Forest-tone."